"Dolittle" Review: Do Little To See This One!
Dolittle is an example of a film that tries to save itself in post-production when it should have done it at the script level. Sometimes a known franchise name isn’t worthy of the dust being blown off of it. Well, a $175,000,000 budget with a dismal return on investment just may teach Universal Pictures the lesson!
After losing his wife, Dr. John Dolittle (Robert Downey Jr.) has become a recluse. Far from the famed doctor who could speak to animals and help the world, he lives alone (no humans) with some of his four legged friends in a sanctuary given to him by Queen Victoria. When the queen turns ill, a royal emissary named Rose (Carmel Laniado), calls on the doctor to save the queen. In the midst of the visit from Rose, Tommy Stubbins (Harry Collett), a “force sensitive animal whisperer”, brings Dr. Dolittle a squirrel he accidentally shot. Enamored by Dolittle’s ability to speak with the animals around him, Tommy wants to be Dolittle’s apprentice.
The threat of losing his home due to a clause in a contract forces Dolittle out of his self-imposed retirement. The adventure takes him, his new apprentice and his animal friends across seas to dangerous islands full of bandits and a dragon. Wait, a dragon!? You thought this was a Victorian era period piece? Of course it’s a fantasy, comedy, adventure…honestly, I don’t know what it wants to be.
The storyline and script is muddled enough, but it’s not the only thing that’s muddled. Downey Jr.’s whispery accent is one for the record books! It’s hard to understand what he’s saying as he does his best-worst Jack Sparrow impression. The accent doesn’t accentuate the character and makes for an already difficult view with the amount of ADR (Automated Dialog Replacement) that seemed to have gone on in this film. There are so many moments when characters are speaking with their backs to the camera or the editing quickly cuts around what they’re saying to mask their faces.
It’s movies like Dolittle that give January releases its storied rep. It never fails that plenty of duds get dropped in the beginning of the year as we anxiously await to hear what the best films coming out of Sundance are, who will win an Oscar and move into Spring. I hope everyone in the cast and crew got paid upfront, because this movie won’t make a return on the back end! Since the writers and producers did little to make this film charming and proper, I suggest you do little to see it as well!
Rating: F
