"The Harder They Fall" Review: A Refreshing Western Genre Entry
The Harder They Fall is a stylish, fully realized vision from co-writer/director Jeymes Samuel. Rooted in the western genre it borrows French New Wave characteristics as well. With a stellar cast, engaging dialogue, and a bumpin’ soundtrack, this movie is not only an entertaining watch but memorable as well. With a predominately black cast, the film tells a fictional, swagged-out tale of real-life black cowboys who once roamed the American West.
The film starts out giving us the backstory of Nat Love (Jonathan Majors) as a child. After witnessing the murder of his parents and receiving a scar from Rufus Buck (Idris Elba), we find Nat as an adult years later on the path to finishing his revenge. Layered through this journey we’re introduced to Mary Fields (Zazie Beets), Bass Reeves (Delroy Lindo), Trudy Smith (Regina King), and Cherokee Bill (Lakeith Stanfield) amongst other notable/familiar faces. That’s about all I’ll reveal as far as the plot goes because how the story unfolds is where so much of the enjoyment lies.
There are way too many beautiful shots to talk about in this film but let’s dig into a couple. In a scene where Cherokee Bill is introduced to us, he slowly glides down the center of the train, center framed while the rest of the gang is blocked by his head. He gives a young boy an alternative telling him to “put the gun down or we’ll kill everyone on this train”. When no movement is made, Bill draws his weapon and simultaneously arms from fellow gang members shoot out of his head in the background. This camera placement and blocking of the actors conveys the danger while showing us in one shot, a stylistic but thoughtful use of framing. This is consistent throughout the film as Samuel uses his camera to show instead of tell.
Samuel takes his framing even further with the use of music and sound. Whether it’s pushing in on a character to the thump of a gun hitting the floor or the kick of a drum in the soundtrack, there is intentionality on full display. Two percussion hits reveal one character behind another in step with a camera move to the right. Samuel’s chucking of conventional framing and attention to the fact that we, the audience, are aware we’re watching a movie, has French New Wave written all over it but shows his creativity in constructing a movie that draws on western genre traits while being refreshingly unique.
Cinematographer, Mihai Malaimare Jr. (The Master, Jojo Rabbit) adds his gift of painting with light to the film. The colors in each scene are vibrant while shifting from cool to warm temperatures with ease. Understanding when to implement the shift in palettes may be missed by the average viewer, but it builds this story to perfection. When a character tells something from their past, warm colors are used to bolster the vulnerability of discussing an old memory.
The dialogue in this film is handled masterfully in its delivery from each main cast member. Silence is used where it’s needed to allow the visuals of the film to speak for themselves. If someone speaks, it's important to the forward progression of the film’s storytelling. Otherwise, nothing needs to be said. The southern drawl or New Orleans accent of characters not only rings authentic but serves as a layer to this delicious cake of a film. Each cast member gives nuance and life to their role. To highlight one individual performance would slight this ensemble of no weak links. The soundtrack of the film fills in the role of an additional, unseen character, telling a part of this tale. Turn on the subtitles and you’ll see the lyrics align perfectly with each scene they are heard in.
At a two hour and ten minute running time, you won’t notice it. The Harder They Fall is engaging from start to finish and if we got more from this world we’d be lucky! Grab your popcorn and turn on Netflix as soon as you can!
Rating: A
"One Night In Miami" Review: A Fly On The Wall Peek
If given the chance to be a fly on the wall for a historic conversation, what conversation would you choose? We’ve been invited to be a fly on the wall with four black historical figures in One Night in Miami. Director/Producer Regina King and screenwriter Kemp Powers have given us a thought-provoking glimpse into history through a fictional interpretation of true events as discussed by iconic figures. The concept is fresh, innovative, and does not disappoint. Thanks to Kemp’s screenplay and a star-studded cast, the transition from stage play to the screen is smooth.
On Feb. 25, 1964, after Cassius Clay (Eli Goree) shocked the world by defeating Sonny Liston to become the Boxing World Champion, he and a few friends (Jim Brown (Aldis Hodge), Sam Cooke (Leslie Odom Jr.), and Malcom X (Kingsley Ben-Adir)) decide to meet in a room at a hotel in Miami before going out to celebrate Clay’s victory. Once in the room, the men begin to exchange stories of their personal trials and tribulations of being a black man with power in America in 1964.
From the cinematography to the music selections, everything is intentional and well crafted. With King in the director’s chair (for the first time, mind you) and Powers’ powerful writing (Disney’s Soul), this film sets a bar for one location plays adapted to the screen. It doesn’t feel like a stage play, but more like a documentary. Powers’ writing captures and confronts topics with a perspective on political, religious and racial issues that still ring true with African Americans today.
The film exposes the difficult situation these men found themselves in as prominent figures in society. There was a particular crossroad they had to pass in terms of the fact that they could personally be successful and wealthy and not ruffle political feathers or use their status to make a difference which would come with strife. An example of a topic of discourse is between Malcom X and Sam Cooke. Malcolm feels Cooke could use his voice through music to help with the black movement in a direct way rather than indirectly helping from the sidelines. Cooke explains how he writes songs and receives royalties to be able to have financial capital to make a difference, stating “I don’t want a piece of the pie; I want the recipe.” The clash gives an interesting notion of the two wanting the same results but attaining it in different ways, which is something we saw from many leaders at the time.
You can feel the emotion that each actor delivers in their interpretation of their characters as though they channelled their real-life counterparts. Goree (Clay) and Ben-Adir (X) re-imagined the expressions of the figures previously portrayed by Will Smith and Denzel Washington (with great success) and etched and expanded their own paths forward. Goree portrays Clay as a charming charismatic version of the champ, coming to make the big decision of converting to the Nation of Islam. Ben-Adir shows multiple facets of Malcom X as a family man whose goal is to advance black people from the harsh realities of America at the time, while fighting a few personal fights within the Nation of Islam simultaneously. Hodge (Jim Brown) and Odom Jr (Sam Cooke) also set a high bar for their performances of the two characters. Hodge shows the calm and dominant demeanor that turned Brown into a household name for both football and acting. The multi-talented Odom, uses the voice we loved in Hamilton to effortlessly step into the crooner’s shoes.
Overall, this concept is a first-class piece of art. I laughed, my thoughts were provoked, and I learned something about each of these high-profile characters on a personal level, especially their stances on the advancement of black people. Most importantly, I was inspired by each character as he shared how his experiences supplied purpose to his life and how status as a celebrity was going to be used to fulfill that purpose. If you love original content that tells a good story, this is a must watch. If it was in theaters, I’d go, but the at home experience does it justice. It’s a well-constructed film that will give you an appreciation for each of these characters and will have you looking for other opportunities to be a fly on the wall. One Night in Miami is set to start streaming on Amazon Prime January 15th.
Rating: A