Tribeca Film Festival '18: "Salam" Review

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Salam is the type of film you go to a festival to see. Writer/director Claire Fowler’s short film is layered in both its storyline and characters. With a stellar performance by Hana Chamoun, this film is worthy of a conversation after the lights come up.

Salam (Hana Chamoun) is a Lyft driver from a tight knit family, but you can gather that Lyft is a means to a bigger end. A portion of her family lives in Syria. When her New York based family gets word of a bombing in Syria, it’s a waiting game to know if their loved ones are ok. To stay busy and rest her nerves, Salam decides to go make some money and pick up passengers. After dropping off a couple love birds, Salam picks up Audrey (Leslie Bibb), who seems to be in distress herself. The exchange that follows is a layered interaction of surface expectations versus what’s really underneath the surface of our daily lives.

Cinematographer, Nicholas Bupp uses natural lighting to showcase New York’s night life. The dark shadows and color scheme gives the film a grittiness that highlights the serious nature of waiting for information that could literally turn your world upside down. With a less skilled writer, the subject matter could be a very heavy-handed, we’ve seen it before look at immigrants and the now stereotypical Islamaphobic pairing we see in films. Instead, Fowler gives us a complex character that we know. Salam is a sister, an aunt, a wife, and a caring person. In turn, we care about her, and understand the weight she’s carrying in the midst of her drive.

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Salam reminds us of the ties that bind us all as a human race, while addressing the blockades we’ve constructed by putting people in boxes of certain races or ethnicities. Fowler’s interest in empathy and her ability to create relatable characters gives us a film that helps us think about how we interact with one another in this complex thing called life. This is one to watch!


Kevin Sampson

The fact that Kevin Sampson is not just a film critic, but a writer, producer, and director as well makes his understanding of cinema even better. Coming from a theoretical and hands on approach, he understands both sides of the struggle of viewing and creating great works. After receiving an MFA in Film & Electronic Media from American University in Washington, D.C in 2011, Kevin took his love for film to the next level by creating and producing Picture Lock, an entertainment website, podcast, and hour long film review TV show that runs on Arlington Independent Media’s public access station in Arlington, VA. The show covers new releases, classic films, and interviews with local filmmakers in the DMV area. He is also a member of the Washington DC Area Film Critics Association and African American Film Critics Association. He is currently looking forward to filming his first feature film in the near future. He believes that film is one of the most powerful art forms in the world, and he hopes that he can use the craft to inspire others and make a difference in it.