Middleburg Film Festival '18: "Widows" Review
In lesser hands Widows would be a run of the mill heist film. Give this script to any other director and you may not be challenged to keep up visually in the way Steve McQueen intelligently crafts this film. Give this script to any other cast and the words wouldn’t be elevated from the page to create characters that we see transform throughout the course of the film. Grab your popcorn folks; this is why we go to the movies!
Set in Chicago, Veronica (Viola Davis), Linda (Michelle Rodriguez), Alice (Elizabeth Debicki) and Amanda (Carrie Coon) are found grieving the loss of their criminal husbands. After the hubbies perish in their latest heist attempt, their death means nothing to the people they owed. Local crime boss turning politician, Jamal Manning (Brian Tyree Henry), seeks the money that Harry Rawlings (Liam Neeson) and his crew stole from him on principle, but also because he’s running against Jack Mulligan (Colin Farrell), the man whose family has been alderman of their district for two generations prior. Manning’s motive for getting the two million dollars is solid and with his cold-blooded gangsta brother, Jatemme (Daniel Kaluuya), eager to help his brother win the elected spot, Veronica has no choice but to get to work. Equipped with a notebook her husband Harry left, Veronica decides that she can get out of debt and start a new life if she and her fellow widows can pull off the big caper Harry plotted out.
McQueen’s work has always been raw, dark, and visually biting. He’s able to use those elements, set against the climate of current day Chicago, to give us a memorable, blockbuster heist film. The opening itself is a Soviet Montage of sorts that doesn’t lovingly bring you into the story but crashes together in a rhythmically edited mashup that quickly brings the audience up to speed. McQueen leads the story with his camera, laying the ground work for his actors to step in and knock the ball out of the park, and they come through.
This review would be too long if each cast member got their time to shine here, but know that they do. Of note, Davis delivers a stellar performance as per usual by giving Veronica an internal conflict that is exhibited in a way that only Mrs. Davis can do over the course of the film! Elizabeth Debicki may certainly have the best character development throughout the film as you literally watch a shutdown and abused widow become a leader and empowered woman. All of the lead and supporting cast give us well rounded characters to watch on screen.
McQueen and co-screenwriter Gillian Flynn never telegraph an overt message in dialogue, but rather McQueen uses visuals to explain the issues in Chicago. The political race between Mulligan and Manning is a plot point, but there is a larger conversation to be had in our minds as audience members about the violence in the streets of the Chi. There’s a beautiful single take shot that shows the economic disparity that pushes the story forward while making you think afterwards.
The only small issue with the film may be in the eagerness to gain their dignity and respect, there is an ever pervasive message of the widows trying to prove themselves in their words. Their actions already show that they’re more than capable so we don’t need on the nose lines like “no one thinks we have the balls to pull this off!” While well delivered from Davis, it would be nice to be shown more than told. This in no way takes you out of the film or detracts from the empowerment that it delivers.
Widows proves that heist films can have layered meaning and story to them. It’s a good night out for the ladies, date night, and even time for the fellas! However you see it, make sure it’s in a theater. It will be well worth the money spent!
Rating: A
"The Judge" Review
As I drove to the screening of “The Judge” I thought to myself, “I’m not looking forward to another stubborn father/son relationship movie”. In fact, I wasn’t looking forward to seeing Robert Downey Jr. play Tony Stark minus the billions of dollars. Imagine my surprise when I viewed a movie about Tony Stark minus the billions of dollars that actually had heart!
Hank Palmer (Robert Downey Jr.) is a big time Chicago lawyer who left behind the simple town he came from. When the death of his mother brings him back to Carlinville, Indiana, Hank has to face the demons he left behind. One particular demon being his father, Judge Joseph Palmer (Robert Duvall), who has served as the town judge for the past 42 years. No matter what Hank has done that may impress most people, his father doesn’t seem to care. In fact, he doesn’t seem to care that he came back for the funeral outside of a handshake.
Once the funeral is over, Hank is ready to get on the next flight out of town, but a mysterious car accident involving the judge keeps him there. It seems the aging judge hit and killed Mark Blackwell (Mark Kiely), an ex-con that he let off easy that wound up committing murder soon after. With Judge Palmer’s memory on the fritz, a courtroom drama plays out with the judge being the on the other side of the fence and Hank choosing to stand by his father’s side. Amidst the trial, Hank also tries to tidy up his relationship with his father and loved ones.
There are plenty of great performances in the film. Robert Duvall will probably receive award nominations as the aging judge. Billy Bob Thornton plays the slick, and equally brilliant prosecuting attorney Dwight Dickham, who’s bent on getting Judge Palmer convicted. Vincent D’Onofrio is as real as it gets as the brother who stayed behind, and has the weight of the family at large on his shoulders. Vera Farmiga helps give us a heartfelt look into who Hank was before he left Carlinville as Hank’s ex-girlfriend Samantha. Robert Downey Jr. is a low budget Tony Stark in the film, but he does it so well that you wind up believing he’s Hank Palmer shortly after the film gets underway.
Regardless of its’ sappy overtones, there is something about “The Judge” that speaks to the human experience. Wether it’s family grudges, unforgiven history, or the inevitable certainty of death we all must face, this movie touches on it all. Stemming from personal experience, director David Dobkin (Wedding Crashers, Change-Up) does a great job of spearheading a universal story. Sure, it may be a little melodramatic in it’s handling of said topics, but it handles them in such a way that you automatically think about your own life experience while watching the film.
In lesser hands, “The Judge”, may not have worked. With a random heart to heart in the middle of a tornado scene, and a son who no matter how much he says he hates his father, keeps trying to please him, the film could easily derail into Hokeyville, USA. Fortunately, the combination of veteran actors come together to create a film that speaks to the human experience.
Rating: B