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"Doctor Strange" Review

Another lesser-known hero is being introduced to the Marvel Cinematic Universe this weekend in Doctor Strange. As we near a decade of the super hero powerhouse charting unchartered territory, we can expect to see more heroes and teams of the sort. Doctor Strange is a visually captivating and entertaining installment that I’d place ahead of its similarly lesser-known Ant-Man predecessor.

Dr. Stephen Strange (Benedict Cumberbatch) is a brilliant neurosurgeon with an ego to match his brains. When a car accident gives him nerve damage in his hands, he sets off to the Far East to find a solution after western medicine fails him. While in Nepal, he meets a group involved in mystic arts at a place called Kathmandu. This allows him to shift his focus and brilliance into studying under The Ancient One (a bald Tilda Swinton), the leader of the group. Strange learns quickly and is able to apply his photographic memory that once helped him retain information on the body, to retain information of various spells.

While there, Strange meets Mordo (Chiwetel Ejiofor) a master amongst the group, Wong (Benedict Wong) guardian of the library of spells, and eventually Kaecilius (Mads Mikkelsen) a disciple gone rogue to learn the darker arts. There is nothing too new here in terms of basic story and plot folks. Yet what is refreshing is the way in which we’re brought into this new side of the Marvel world. As Wong says “the Avengers save the world from physical dangers. We safeguard it against more mystical threats.” While this film does have a certain feel of Inception meets The Matrix, there is no set up as to how things work. We’re just thrown into it from the opening scene. And it’s awesome!

We go on the same trippy ride that Strange goes on as he learns about the mystical realms and multi-verse. The visual effects are stunning and director Scott Derrickson does a great job of keeping us aware of where things are happening in the frame without losing us due to them. Benedict Cumberbatch brings a swagger and arrogance to the role that rivals Tony Stark's, so I can’t wait to see the two of them (Robert Downey Jr.) in a scene together. This is a movie with tons of A-listers though, so the performances of Swinton, Ejiofor, Mikkelsen and Rachel McAdams as Christine Palmer (Strange’s work colleague and pseudo love interest) are all top notch.

This is a smooth installment in bringing in another Marvel character and revealing another side of the universe that is mind-bending. It keeps its light-hearted dialogue but well-rounded storytelling that we’ve come to expect. I’m looking forward to seeing Dr. Strange using his powers in a team up film. There’s no question that we’ll see that soon enough as you’ll find out in the film. Be sure to stick around to the end for 2 post-credit roll sequences. Due to the visuals, IMAX 3-D may be worth the upcharge if you’ve got a little extra in your pocket this weekend!

Rating: B

 

 

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"Southpaw" Review

With a movie like “Southpaw”, the question is not have you seen the story before, but how is the story going to be told? While the classic redemption story is apparent even from the trailer, the journey to it is gripping and refreshingly real. With stellar performances, “Southpaw” is a standout character study in the ring of boxing films. 

The film starts with Billy Hope (Jake Gyllenhaal) on top of the world. He’s the light weight champion of the world, lives in a mansion, and has a beautiful wife, Maureen (Rachel McAdams), and daughter, Leila (Oona Laurence).  After his Maureen is tragically murdered (in a breath-taking, dramatic scene) Hope starts to lose control. Running the gamut of grief from anger to depression, by the time he sobers up it’s too late. He’s lost his wife, mansion, and the state has put his daughter in protective services.

With no money, due to fake friends draining him, his excessive spending and his own ignorance, Hope is forced to get a 300 square foot apartment. He enlists the help of Tick Wills (Forest Whitaker) to train him properly to do the only thing he knows how to do, fight. He not only has to fight an opponent in the ring, but he has to fight his own demons and fight to win his daughter’s heart back.

The rich detail that writer Kurt Sutter (Sons of Anarchy) and director Antoine Fuqua (Training Day) go into in combination of the script and visuals show a side of boxing we don’t normally think about. They highlight the “performance” of boxing and use the glitz and glamour to their advantage to remind the viewer that there is a person who steps out of the ring after a fight we pay to be entertained by. Sons of Anarchy fans know Sutter’s writing can be emotional and moody, but thanks to great casting (except Curtis “50 Cent” Jackson) each emotional stepping stone is earned.

Jake Gyllenhaal is immersed in the character of Billy Hope. From his mumbled speech pattern to the way he holds his body, Gyllenhaal is totally believable as an adult fighter who came up through the system. The chemistry between Gyllenhaal and McAdams is what award winning performances are made of. While McAdams role is short-lived in the film, her performance is so strong that her presence remains throughout in a way that the words on the page couldn’t have dreamed of! 

Forest Whitaker gives a long overdue, subtle, and genuine performance that he didn’t dial in for as Tick Wills. He’s a trainer with demons that we never know the origins of, but they come through in many of his scenes. I’ve never seen Oona Laurence, but after this film she is definitely a young talent to watch!

 

“Southpaw” is one of those films that feels out of place in the middle of the summer. A film like this usually plays in the winter months for awards consideration, and it should definitely get that! It’s a character study into love, loss, grief, and how we choose to respond when we’ve fallen. 

Rating: A

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