"The Upside" Review: Solid Performances, Formulaic Story
The Upside is one of those films that tackle how two vastly different people’s lives can intertwine to help one another see the brighter side of life. The film is based off a true story and a remake of the 2011 French film The Intouchables. While the performances are solid, this version ultimately lands a bit flat.
Philip (Bryan Cranston) is a quadriplegic in need of a live in assistant. Dell (Kevin Hart) is an ex-con in search of employment. After Dell stumbles upon the job interview, Philip hires him as the worst candidate for the job in hopes that he might just kill him with his lack of experience. As the two get to know one another, they are called out on their excuses that they make for the cards that life has dealt them.
This film is certainly Hart’s film. When he’s in scenes, they come to life, and when he’s not the film’s energy is sucked out. As a comedian at the top of his game, this film is Hart’s vehicle that will help him crossover in being taken seriously as a dramatic actor. The interactions between Hart and Cranston are authentic and at times hilarious. Due to their blunt honesty with one another, we’re able to analyze life truths that resonate. Nicole Kidman turns in a subtly wonderful performance as Philip’s executive in charge of his affairs.
The issue with the film is that it’s full of beautiful but formulaic moments. These moments are loosely strung together with choppy start-stop pacing. Furthermore, it fails to pull you in and genuinely care for its main characters. You may appreciate Dell and Phillip’s relationship, but you don’t really feel the connection to them that is necessary for the film to soar.
If you’re looking for a feel good film to take grandma to see this weekend, this is it. However, this is a film that I’d suggest you wait to catch when it’s streaming. You’ll forget about it moments after leaving the theater.
Rating: C
"The Upside" Review
Based on a true story, The Upside is a film that is both unexpectedly hilarious yet humbling. Bryan Cranston plays a wealthy quadriplegic named Phillip and Kevin Hart is his caretaker, Dell. Both Cranston and Hart are an unstoppable duo on screen. The duo are no strangers to comedy which makes their interactions more genuine and comical. Their endearing relationship gives you hope for humanity. Alongside the serious moments, the comedy is well written and delivered with perfection.
The acting is great; the relationship between Dell and Phillip in the film seems genuine and playful. The actors are able to portray the writing in a beautiful way that exposes a different aspect of the relationship Dell and Phillip have (they are still friends to this day). In a way, both of the characters are outcasts of society; Phillip as a quadriplegic doesn’t often receive the respect he should, even in small interactions; Dell has a similar experience being formerly incarcerated and now looking for a job. Their relationship builds off of their differences and in result of their friendship growing, they come to find that they are very similar. This development alone is one of my favorite aspects of the film and it is the first reason to go and see The Upside. Cranston and Hart lead the film with great acting but one cannot overlook the talented performances of Nicole Kidman and Golshifteh Farahani as supporting actors as well.
The second reason to go see the film is for the writing, the comedy is innovative and edgy, especially with the quips that Dell and Phillip throw at each other. I found that some of the humor is so awkward and cringe-worthy, you can’t help but laugh. The comedy delivered through the acting carries the film as Bryan Cranston and Kevin Hart truly have a positive chemistry which makes it even better. Together the duo forces the audience to experience every emotion they’re experiencing, and they don’t hold anything back. Both of the characters go through significant change with each other and it is a beautiful process to see.
Alongside the writing and acting, the camera work is lovely and even whimsical. The director of photography, Stuart Dryburgh captures the film in a significant way; at times the cinematography reminded me of a painting, especially when the visuals are paired with dramatic moments. The director uses a technique with the cinematographer to expose bits and pieces of Phillip’s past through imaginative visual representations in a way that’s well executed. Joined with the drama and comedy within the film, the cinematography allows space when it is needed, the breathtaking shots are peaceful and meditative; it is almost as if the audience is supposed to feel the peace the characters do. These small decisions of the director and cinematographer makes the film stunning in a unique way.
Overall The Upside is great, it forces the audience to think differently about how to treat the outcasts of society and how much we take for granted on a day to day basis. If you wish to see a film that is action packed with explosions, this is not the film for you. However, if you wish to view the world differently and open your mind to new perspectives, this is a wonderful film to watch. I highly recommend this film if you are familiar with the actors, they certainly hold true to their acting reputations. See The Upside in theaters while you still can, the lovely visuals are made to be seen on a big screen.
Grade: A
Middleburg Film Festival '18: "Boy Erased" Review
Boy Erased is based on the memoir of Garrard Conley’s experience with gay-conversion therapy. Adapted to screen by writer/director Joel Edgerton, the film allows its audience to come to a conclusion based on what’s presented. At its heart, the movie is about where we draw lines in our love, and if we do, is it truly unconditional love?
Lucas Hedges is Jared Eamons, son of minister Marshall Eamons (Russell Crowe) and first lady Nancy Eamons (Nicole Kidman). Growing up a preacher’s kid, Jared finds himself at a crossroads between his faith and family after coming to terms with the fact that he’s gay. Upon his son’s coming out, Marshall seeks wisdom through church elders, while Nancy defers to Marshall’s leadership.
Marshall and Nancy enroll their son in a conversion program called Love in Action that’s directed by Victor Sykes (Joel Edgerton). As time moves forward, Jared quickly sees that something is off in the therapy. His dutiful trust in his parents becomes shaken as he witnesses the degradation of his fellow participants. This sparks action in Jared to take his destiny into his own hands.
The film jumps around in chronology to give us a picture of Jared’s life leading up to Love in Action and beyond while giving us the “full picture” of Jared’s struggle. The key to this film is that Edgerton makes Jared our eyes into this world. Hedges has a way of displaying his internal conflict without wearing it on his sleeve. Instead, his journey in finding himself, standing up to his abusers, and charting his path in life is easier to understand because the message is not clouded by accusation or heavy judgement. Crowe and Kidman turn in authentic performances as well with both sides clinging to to their belief system.
Boy Erased’s conspicuous restraint allows its viewer to be haunted after the film by what they witnessed. After all, it’s the quiet, solitary moments in life in which we wrestle with the big questions.
Rating: B
"Secret in Their Eyes" Review
It’s hard acknowledging the appeal of murder mystery films. They tap into a dark, but ultimately curious side of their fans, and I admittedly will most likely always say yes to any crime related movie. Maybe it was a childhood fascination for the game Clue (and the film) or maybe it’s too many episodes of Law and Order, but there is something thrilling about watching the steps it takes to solve a crime. Secret in Their Eyes is the story of a heinous murder (cue Law and Order theme song), but it is not the murder mystery you might expect.
In 2002, post-911, counterterrorism was the name of the game — it was top priority. The film begins with a group of investigators tasked with fighting terrorism, and its domestic roots in Los Angeles. Their jobs and lives are forever changed when a call about a dead body, near a mosque under their surveillance, comes in. Their arrival to the scene is ordinary, but that quickly changes when one of the investigators realizes the body of the young woman in the dumpster belongs to Carolyn (Zoe Graham), the daughter of Jess (Julia Roberts), one of their team members.
Rather than focusing on evidence and clues, Secret in Their Eyes is a deeply personal look at the repercussions of the choices we do and do not make. Carolyn’s murder affected (and still affects) the whole team of investigators involved, and the film’s story revolves around each of the characters’ different attempts to either absolve themselves or simply get over the fact that the killer slipped through their fingers, despite their best efforts. The main crusader, Ray (Chiwetel Ejiofor), has spent the last 13 years working the crime after hours, obsessively combing databases for the killer’s current whereabouts. Then there is Claire (Nicole Kidman), a young lawyer when Carolyn was killed, who has worked her way to District Attorney while still haunted by the case. Even Jess seems to have pushed the dark days behind her, making her way to lead investigator. All of their best efforts to avoid the unsolved murder come to head when Ray announces that he has found the killer -- forcing everyone to dive back into the feelings they’ve run away from for over a decade. It’s an interesting approach for this kind of film, where one expects the majority of the time to be spent on street chases and DNA labs. Instead, the film is an ode to relationships and the mistakes we don’t realize we’ve made until it’s too late.
The downside to Secret in Their Eyes is it simply lacks the thrill of the expectations set by the trailer. For those looking for Kiss the Girls or The Bone Collector, this movie isn’t it. The pacing is slow and the crime is more of a backdrop, rather than a driving force. Julia Roberts delivers a notably visceral performance as a grieving mother — her ability to control even just minor movements in her body is both perplexing and commendable. Chiwetel Ejiofor gives a comfortable performance as a mission-driven man out to set things right. The duos acting chops would’ve been put to much better use within a more worthwhile story however. It’s not one worth spending money on folks, wait for the Netflix release.
Grade: C+