"Madame Web": You Wish You Didn't See It Coming!

Alfred Hitchcock said “To make a great film you need three things- the script, the script, and the script”. Madame Web is the perfect example of what happens when those three things are missing. It doesn’t matter if $80+ million dollars. You have to stick to the basics!

With story and written by credits spread amongst five people, this exceptional film starts off with the typical back story exposition. A mother, pregnant and in search of a mysterious spider that possesses a healing power inside it, searches through the jungle with a guide/friend named Ezekiel (Tahar Rahim). Of course, something is going to go wrong and does, but not before she gives birth to a baby after being bitten by a spider. Years later, Cassandra Webb (Dakota Johnson) is thriving in NYC as an EMT. She starts seeing the future before it happens and can’t make sense of it. Honestly, it’s a little hard to follow for the viewer as well, but we can go for the ride.

Cassie (as her friends call her) starts to find purpose in saving three teenage girls from, you guessed it, the big baddy Ezekiel starts hunting them down to kill them. What we were sold in the trailer was Julia Cornwall (Sydney Sweeney), Anya Corazon (Isabela Merced), and Mattie Franklin (Celeste O’Connor) as spider-women. What we got was a thinly plotted chase thriller with action scenes sprinkled in. Character development is about as thin as a spider web. There’s just enough that you can see something, but the teenagers are reduced to stereotypes of the quiet one, pretty one and angsty one. 

The one good thing this film shines a light on is the family that you choose versus the family that you’re born into. All of the women in this film have issues with their blood family, but are able to deal, heal and congeal as a unit with their new found sisterhood. Unfortunately, I don’t think this film knew what it was selling. If only the writers and producers could have seen the future like their main character. Perhaps we could have received the film we were hoping for.

Rating: D

"The Marvels" Review: An Entanglement Of Sorts

The Marvels feels like the crashing of three different Marvel shows. It’s a soup that doesn’t quite gel and yet was an alright meal at the same time. It’s another rung in the ladder of Marvel movies and TV shows that is setting us up for something greater! These days, that seems to be the familiar MO of Marvel but you have to start somewhere.

I watched the Infinity War and End Game battle sequences prepping for the movie based off of what I saw in the trailer. I was way off. As long as you’ve seen WandaVision, Ms. Marvel and Captain Marvel you’re good to go in knowing the characters. If you want to understand the plot just watch Captain Marvel as this film acts as a sequel to it. After taking down the Kree’s overseeing intelligence known as the Supreme Intelligence, Carol Danvers (Brie Larson) aka Captain Marvel, inadvertently created a new enemy in Dar-Been (Zawe Aston). In taking out the Supreme Intelligence she also took out the resources of Dar-Been’s home planet and that is something Dar-Been wants back.

While investigating a strange jump point that hasn’t closed, Monica Rambeau (Teyonah Parris), touches it at just the right time to get her powers entangled with her aunt Carol (whom she hasn’t seen in years) and Jersey City’s Kamala Khan (Iman Vellani) aka Ms. Marvel. It’s a strange, platonic love triangle that works for the emotional beats of the film. Ms. Marvel is obsessed with Captain Marvel as her biggest fan. Captain Rambeau has felt abandoned by her aunt Carol while watching Captain Marvel be everywhere for everyone except her. Captain Marvel has her reasons as to why she wasn’t there for Monica. It’s this gumbo of emotions that helps the movie have a heartbeat. The chemistry of the women is probably what saves the film from itself with a couple of random moments and set pieces.

Kamala Khan’s infusion in the MCU has brought the fun quirky teenage spirit. Credit has to be given to her family ensemble with her mom (Zenobia Shroff), dad (Mohan Kapur), and older brother (Saagar Shaikh) continually responding to situations as if their daughter/sister is not a superhero. That grounding of Kamala helps create emotional moments with her family and Kamala is able to share that love with the often emotionally guarded Captain Marvel. While much of the film is based on the consequences of past decisions, the message of the ability to grow and learn is on display.

My middle school-aged daughter enjoyed the film way more than me. So this is probably a good time for the kiddos at the movies! We both agreed that it felt like episodes of different MCU shows being pieced together. That start/stop approach to the overall film is what pulls it down but the lead performances are earnest and help smooth that over. The Marvels isn’t a memorable film but the mid-credit sequence will have geeks talking for sure!

Rating: C

"Black Panther: Wakanda Forever" Review: This Feels Personal

You can hear a pin drop in the first five minutes of Black Panther: Wakanda Forever. It’s intense  and doesn’t let go of wrestling with loss, the cycle of violence and how we respond to it all throughout its running time. Even with that, this film is a vibe! It pays tribute, takes you in directions that you expect and does an intentional job of curving your expectations at the right time. This is one of the best MCU (Marvel Cinematic Universe) installments in a while!

The loss of Chadwick Boseman shook the world. It was a death we didn’t expect. He was a talented actor and better human being to all who knew him. He endured in silence, proving his quiet strength and giving us a lot to think about in hindsight. Whether it was not to make fun of a celebrity’s (or anyone for that matter) weight loss because you don’t know what they’re dealing with or his words in interviews, we all had to wrestle with his death. Writer/director Ryan Coogler and the rest of the cast had to do this as well. The original sequel script had to be re-written. It’s in the spaces of deep pain as a reflection of deep love that you can get a focused script like Wakanda Forever. It’s not a perfect script/story, but it’s deeply personal in every frame.

This is a spoiler free review, so I’ll only speak based off of what you can gather from the trailer. The world of Wakanda is familiar yet matured here after the Blip. Her people are dealing with the loss of their leader. Queen Ramonda (Angela Bassett) is mourning as a mother would, with maturity and grace, while keeping the outside world at bay from using vibranium in a way that would harm others. Shuri (Letitia Wright) is going through it! Her grief is manifested in overworking and anger. 

In the outside world’s zest to find vibranium, a new underwater nation called Talokan is awoken. With a desire to stay hidden, its’ leader Namor (Tenoch Huerta), will do whatever it takes to make that happen. Even if it means taking down Wakanda to do it. So Wakanda calls on her heroes Nakia (Lupita Nyong’o), Okoye (Danai Gurira), M’Baku (Winston Duke) and new comer Riri Williams (Dominique Thorne).

Ruth Carter’s wardrobe in the film is once again Oscar worthy. Part of the reason the film is a vibe is because of how cool the cast looks throughout the film. Whether they are wearing street clothes or traditional garb, Carter nailed it! The production and art design is incredible grounded in a tangible future. The music from Ludwig Goransson is haunting, inspired and sets the right tone for the film. Listen to the music playing in the lab while Shuri is working. It fits seamlessly to the point you might miss it because so much thought has been put into this world from head to toe. 

There is an element of this film that we have to deal with. While the story does a great job of giving us Afro and Latino Futurism visions, the fact remains that the majority of the film is about two brown communities fighting each other. While the Talokan people are blue on land, they’re brown under water. They’re of Mayan origin. So it’s easy to forget this point. At a micro level, two brown nations are willing to go at each other in order to save themselves from colonizers out of fear of colonization. It’s not even guaranteed. It’s strategy for a possibility. Yet, it’s evident that they are two of the strongest nations in this world. There’s an invisible chain at play that just feels a little all too familiar for me.

That said, Black Panther: Wakanda Forever is a serious character drama with super hero action in the background. Their are noteworthy performances from Angela Bassett, Danai Gurira and Letitia Wright as the women take the stage in a way that feels lived in from my black experience! Equal to the performances are the character arcs of the protagonists and antagonist. Just as Killmonger (Michael B. Jordan) was a great idealogical foil to T’Challa, Namor is another villain who could be considered a hero depending on the side of the coin you align with. It’s an entertaining film that will be remembered in the MCU due to the loss of Chadwick Boseman and the universal themes it deals with. There’s only one post credit scene, so you don’t have to wait until the credits finishing rolling this time! 

Rating: B+

P.S.

Look for the male extra on the left side of the screen dancing in white in the beginning of the film. Someone should have been watching the dailies to remind him to stay in character! He was having too much fun I guess. If it wasn’t such a serious moment…I would have been laughin’!

"Eternals" Review: A Step In A New Direction!?

Eternals is far from the Marvel films we’ve come to expect. There is generally a formula to these films. You have a problem that occurs, heroes who respond, big action set pieces and spoon fulls of comedy sugar along the way. Co-writer/director Chloe Zhao takes this film in a dramatic direction with spoon fulls of action along the way. With a complex story and multiple characters to get to know, this is another step in the staircase of Marvel that feels like a set up to take us somewhere new.

A group of immortal beings have been on Earth since BC time. They came and have helped civilization advance forward, but have remained in the shadows trying not to interfere as much as possible. The Eternals are a rag tag group with special powers. Ajak (Salma Hayek) leads the group as the maternal figure who has the power to heal and give wise advice. Ikaris (Richard Madden), Kingo (Kumail Nanjiani), Gilgamesh (Don Lee), and Thena (Angelina Jolie) are the frontline warriors, each imbued with unique powers to fight. The thinkers of the group are the young illusionist, Sprite (Lia McHugh), speedster Makkari (Lauren Ridloff), master inventor Phastos (Brian Tyree Henry) and telepath Druig (Barry Keoghan). Sersi (Gemma Chan), whom much of the film revolves around, can transmute inanimate matter and finds herself somewhere in between the warriors and thinkers.

The non-linear story jumps through history while grounding itself in present day, not long after the events of Avengers: Endgame. With fifty percent of the planet back, a countdown to an apocalyptic event has started. The Eternals must decide if they will intervene to protect the species they’ve grown to respect and love or continue to stand by.

Zhao’s vision for the film is fully manifested. Much of the movie’s flashbacks are shot at golden hour, giving a soft, warm hue to the cinematography. Her camera frames subjects in an affectionate way. She bottles the feeling you have when you’re falling in love with someone and in a room full of people, it’s just you and that person, and pours it on screen. It’s that tenderness that infuses throughout the film to give MCU fans something that feels wholly different and unique.

As beautiful as the film is, it can drag along at times with its two and a half hour plus running time. The character building and backstory that has to occur in an origin story is hum drum at times with certain characters receiving more love than others. With ten Eternals to introduce to an audience, that can be a task. Overall, the task is achieved but not without the price of a bit of fatigue in getting there.

Then there’s the topic of sexuality. Sexuality in this film feels forced rather than the “firsts” it desires to display. Parents of younger children be warned, two of the Eternals get busy in a mid-shot that shows them naked (while bodies cover private areas) but leaves no question to the thrusting going on. So if you haven’t had the sex talk, you’re going to have to after this. There’s a same sex kiss as well. The reason this all seems forced is because, well (semi-spoiler alert if you haven’t read the comics ahead), the Eternals are humanoids and can’t breed amongst themselves. So logically, reproduction and sexuality doesn’t seem to make sense as the story unfolds in this world.

Special attention needs to be given to the performance of Harish Patel as Karun. In the film, he follows Kingo around as his manager/personal cameraman. Patel provides not only humor throughout the film, but touching moments that would be hard to perform in the hands of a lesser character actor! Even though he is a side character, we should give that man his props and flowers for his performance!

Zhao and company shoot for the stars and land somewhere in Earth’s orbit. This isn’t a bad film. You can get lost in its entertainment. However, it truly feels like a stepping stone to open other parts of the MCU. This film feels like a door to opening more of the Marvel Cinematic Universe (MCU) in two ways. One is that the Eternals unlocks a new characters layer in the MCU as we learn about Eternals, Celestials and deviants. The second is the arthouse influence from Zhao’s direction that will shift the blockbuster feel we’ve experienced in the past to possibly give us more of an independent vibe in these films. We’ve seen the shift in Disney+ shows, but this is certainly different. Overall, if you’re a fan of the MCU you’ll be entertained. If not, you can catch up to this when it streams!

Rating: C+

"Black Widow" Review: The Long Awaited MCU Espionage Thriller

Black Widow opens with arguably one of the top 3 openings in a Marvel film to date! Much like its television shows, Black Widow doesn’t feel like most Marvel films. It’s an espionage thriller with a mix of super heroes. It start strong, lulls, and finds its footing again. A solid entry in the development of a long-overdue solo film for Natasha Romanoff (Scarlett Johansson).

The film is a snapshot of what happened after the battle of Leipzig/Halle Airport in Captain America: Civil War. It starts further back in Natasha’s childhood, setting up an understanding of her psyche and her family dynamics. The opening sequence is equal parts you name it Spielberg kids scene and Jason Bourne action.  From there, the film is off to the races sending us to present post-battle life.

While this film struggled to the release finish line, the film’s secret weapon is its ensemble cast. Florence Pugh’s entrance into the Marvel Cinematic Universe (MCU) is worth the film being created alone. As Natasha’s sister, Yelena, Pugh establishes herself as a take no prisoners, dark humor, force to be reckoned with. There is no doubt that she will make a mark and quickly become a fan favorite in future films. David Harbour and Rachel Weisz bring the gravity and nuance to their roles as Natasha’s parents. Harbour’s comic timing as a dad reliving his greatest battles/missions is reminiscent of Mr. Incredible from The Incredibles, but a real life version.

There are some pacing issues with this stand alone film. Somewhere in act two the film comes to a halt as it settles into one of its themes of family. While the moment provides reflection and character building, it’s hard not to notice the difference in pace and change of tone. It’s as though we can see writer, Eric Pearson, step into a hole and try to write his way out without thinking of how to skip the hole in the first place.

Ultimately, Black Widow is a fun, espionage installment in the MCU with big set pieces and action sequences that give a nice curtain-call for Romanoff. We know her fate, but now we know a little more of her backstory. Most importantly, she has a sister that we’ll see a lot more of! 

Rating: B-

"Captain Marvel" Review: A Speed Bump On The Way To "End Game"

We’ve had an amazing journey in the Marvel Cinematic Universe (MCU) thus far! What the studio has been able to do in growing from 2008’s Iron Man to Captain Marvel is incredible. With half the universe gone and the other in peril, Captain Marvel, while full of great chemistry amongst its cast and female empowerment, feels like a speed bump on the road to Avengers: End Game.

The call went out from Nick Fury (Samuel L. Jackson) via an old two way pager in Avengers: Infinity War during the end credits of the film. We saw the iconic symbol for Captain Marvel, and this weekend in theaters we get our answer as to who she is and what her powers are, kinda. Set in the 90’s, Vers aka Carol Danvers aka Captain Marvel (Brie Larson) doesn’t remember much about her past but sees it in glimpses within her dreams. She’s being prepared for battle by her mentor Yon-Rogg (Jude Law) of the Kree race. Their enemy are shape-shifters called Skrulls. After an interaction with the Skrulls ends with her landing on planet C-53 aka Earth, Vers must hunt for the Skrulls who landed with her while trying to make sense of her past. Her crash into the local Blockbuster brings a young Nick Fury to the site, and thus begins a buddy comedy as only Marvel can do.

The issue with Captain Marvel is that the first two acts of the film are a small, intimate tale that viewers would have ate up in 2011. The magnitude of what’s going on in the 2019 MCU is so big, that Carol Danvers backstory seems so insignificant in the scheme of it all. I realize it’s not, but the convention of storytelling used by writer/directors Anna Boden and Ryan Fleck is all over the place for the first two thirds of the film. It starts out as a mystery, Hangover-esque tale and then becomes a buddy comedy and is heavy handed in making sure its main character knows that she needs to stay in line. It’s also missing an internal clock (a device in film in which the characters are moving to a deadline) to help us move toward the end of the film. So the search for Skrulls doesn’t have any real weight to it other than what the characters tell us. 

Once you get to the final act of the film, things take off! Suddenly, we have an engaging film that you feel more invested in. Don’t get me wrong, this film is packed with brilliant performances by Samuel L. Jackson, Brie Larson, and Ben Mendelsohn as Talos/Keller (in that order). The chemistry of the cast and the way they bounce dialogue off of each other is what excuses the first part of the film. Even smaller roles like Carol’s best friend, Maria (Lashana Lynch) and her role model, Mar-Vell (Annette Bening), are nice character performance additions. The final act also gives us something to run toward in regard to impending danger.

As the marketing for this film suggests, there is a strong message of female empowerment that’s great to see, especially for little girls who get to see a powerful female superhero on the big screen! The 90’s references and soundtrack for the film (while the songs are a bit on the nose coupled with each scene) is a nostalgia fest for those of us who lived through them! The one other problem I had is that the film gives us an understanding of how Captain Marvel obtained her powers, but does not tell the extent nor give an actual clear description of them for us to understand what they are and why the internets are saying she’s so powerful. So be sure to sit next to a fanboy/girl who can explain it to you if you don’t know the history like me.

Overall, the film is another decent entry to the MCU, but it just doesn’t have the same bite and excitement in storytelling that the films released in Phase 3 has had. It will be great to see her in the MCU going forward and she is a welcomed addition. Look, speed bumps are necessary, keep us safe and you have to go over them in order to get to your destination. This is a safe entry installment into the broader franchise and I wish it was more! As always, be sure to stick round through the final credit sequences!

Rating: C+