"The Woman King" Review: This Should Not Be Missed!
There’s no doubt that The Woman King will be a cultural experience for many this weekend. The telling of one of the most feared and revered female warriors on the big screen is something to behold. While some of the action feels “Disney-fied”, the message in this film is undeniably powerful and should not be missed!
The film revolves around the West African nation of Dahomey in the early 1800s. Known for their fierce, all-female warriors called the Agojie, we’re thrust amidst an ongoing Game of Thrones amongst African Kingdoms. Nanisca (Viola Davis) leads these incredible warriors and after a recent battle, realizes she needs new, stronger soldiers to fight off the rival Oyo empire. The Agojie are all that stand in the way of the Oyo and King Ghezo (John Boyega) has full faith in them.
Nanisca leans on her right hand, Amenza (Sheila Atim). It’s evident that they have been through good and bad times together. Amenza holds Nanisca’s orders, secrets and trust as a chosen sister. Izogie (Lashana Lynch) trains the new crop of prospective Agojie. She’s an aggressive fighter with ambition to be more who gives tough love and mentoring to the hopeful. One amongst them is Nawi (Thuso Mbedu). Nawi is an untraditional young woman who has turned every suitor away with her attitude. For her, the Agojie is her way out of a life of subjectivity.
With war as a vehicle of urgency, in the backdrop of the setting is also the Atlantic slave trade. It’s a part of the movie that is naturally highlighted as a theme of both physical and mental slavery shows itself throughout the film. Writers Dana Stevens and Maria Bello shine light on the various tribes and nations involved in the atrocity and in a minor way, the impact that we can assume it had on the African people. Trauma is dealt with in a way that is both heartbreaking and triumphant! As each member of the Agojie carry the weight of their own trauma, how they overcome is perhaps the most powerful message in the film.
Gina Prince-Bythewood (Beyond The Lights) may not be a house hold name to many, because she directs a feature film so infrequently. However, when she does get behind the camera, it’s always worth watching. Her ability to capture human relationships is always refreshing. Viola Davis gives a masterful performance as always. The lean she does at the climax of the film takes you through so many emotions without her saying a word. Lashana Lynch will likely have Oscar buzz surrounding her performance as she gives Izogie a hard exterior with a soft core to create a complex but lovable character.
The celebration in song and dance throughout the film is moving. You can feel the joy and pain at times in the tribal dancing. The action in this film is a little underwhelming at times. To be all female warriors, you would expect serious bloodshed. Even if that couldn’t be shown due to the rating, the problem is that the camera doesn’t allow you to see the fight choreography in full. Mid-shots are used rather than wides. So the action feels stifled at times, which is sad because it would be nice to see all of the hard work these amazing actresses put in on full display. To see women tough and brutal is not something we get often from film. Perhaps some will say we got a lot here, but this did feel like it was under the watchful eye of someone to keep it PG-13.
Whatever the case may be, the message in this film and the portrayals by the cast is worth seeing! Grab some friends and go this weekend! This was like church for the crowd I screened the film with. They talked to the screen and audibly showed they related to the message. That’s the power of film!
Rating: B+
"No Time To Die" Review
With the 25th Bond film out for release this week, No Time to Die is a perfect send-off for the longest tenure of the Bond series (Daniel Craig). Due to pandemic, the 2020 release received as many date changes as the screenwriters working on the script. And now the film is finally hitting the silver screen on October 8th. Also, as a caveat to the release, Daniel Craig is receiving a star on the Hollywood Walk of Fame, near fellow Bonder, Roger Moore (1973-85). As the ride for Craig comes to an end, it only made sense for Cary Joji Fukunaga (first American director of the Bond Film) to bring the cast together to deliver an action-packed nod to the last 15 years of the Bond series. Although it follows the standard blueprint for a Bond film (the villain who has a plan for world domination, and the only agent that can get the job done is 007 with the help of MI6), this version gives us more of a look behind the curtain of Bond as a man, more than an agent.
The picture picks up after the Spectre, with Bond and Madeline (Lea Seydoux) living their best lives off the grid in Italy. While they’re enjoying their time together, Madeline reveals that she has some secrets that she wants to tell Bond, but she wants him to visit Vespers Tomb (love interest from Casino Royale) and say his final good-byes. Unfortunately, the Spectre assassins decide to intervene and lay waste to Bond. Thinking Madeline has something to do with this fiasco, Bond grows furious as he fends for his life and decides to go separate ways.
Five years later, Bond is living well, enjoying retirement and out of pocket from MI6 (so much that the Agency actually thought he died), until his fellow friend Felix Leiter (Jeffery Wright) and his new partner Logan Ash (Billy Magnussen), ask him to come out of retirement and help them with a mission. The mission is to locate and take down Valdo Obruchev (Davis Dencik), a Russian scientist who has designed a bioweapon technology that could put the world at risk. After he declines their offer, he meets Nomi (Lashana Lynch, the new 007), who gives him some reasons to reconsider. His visit from Nomi causes Bond to go back to MI6 headquarters to talk to M (Ralph Fiennes) and their back-and-forth exchange ultimately leads Bond and the old 00 crew, Eve Moneypenny (Naomie Harris) and Q (Ben Whishaw) to help him to solve the mystery. While digging, Bond later finds out that Lyutsifer Safin (Rami Malek), a terrorist leader, is behind all of the chaos. Bond’s goal is to stop Safin’s plan, as he realizes he has way more to fight for this time around.
One of the intriguing takeaways from this movie was the production. Linus Sandgren (known for Lala Land) worked wonders on some of the camera work and action angles. His work gives the experiential feeling that you’re in the passenger seat with Bond dodging every bullet with him. The movie has an End Game-like (Marvel) approach that involved closing a saga and a run time (not for the faint bladder). Clocking in at 2 hours and 43 minutes to be exact, while the film keeps you engaged and on the edge of your seat for the majority of the time, shaving fifteen minutes would have been welcomed.
The acting is certainly one of the best parts of the film, as the new 00 characters and the old ones mesh well together. Lynch came in with a point to prove in showing she could be the new 007; she did justice to the character by matching Craig’s gritty and violent take, but in a noble way. Ana de Armas (Paloma) debut as a 00 agent shows that Bond is not the only assassin that can wear formal wear and get the job done. Malek’s acting is usually superb (I still think of him as Freddy Mercury), but his role as Lyutsifer Safin wasn’t as momentous. Ernest Blofeld (Glenn Wrage) has more of an impact in the movie.
This movie was made for IMAX screens, so if you go to theatres, the IMAX experience is your best bet. The action scenes alone make it well worth it. I imagine this movie to be in the running for some award nods this season, whether for visuals, action, or score. If you’re a fan of opulent cars, innovative gadgets, live actions, super soldier guns and ammo, and/or lavish cities with an occasional scotch or stirred martini, you should enjoy this film. Bond fans won’t be disappointed. Also, if you stay until after the credits, you’ll also catch a quick teaser about the Bond Future (it’s not a Marvel post credit scene). For years Craig’s reported that he’s been ready to hang up the mantel, so in this movie they made sure his last ride was memorable and the one we’ll be referring to for a while (at least until the next 007 takes the helm).
The new future of looking for a new 007 can play out different ways — whether it’s a prequel or continuation of where the story left off, we will be in uncharted territory. Right now, it’s been reported that the next Bond search won’t begin until 2022, but Craig gave some stellar advice for the next character who takes on the role: “The best way to succeed is to Not be S#*t!” For whoever’s fortunate to step into the role next, they’ll have a tall order to fill — thanks to Daniel Craig.
Rating: B
"Captain Marvel" Review: A Speed Bump On The Way To "End Game"
We’ve had an amazing journey in the Marvel Cinematic Universe (MCU) thus far! What the studio has been able to do in growing from 2008’s Iron Man to Captain Marvel is incredible. With half the universe gone and the other in peril, Captain Marvel, while full of great chemistry amongst its cast and female empowerment, feels like a speed bump on the road to Avengers: End Game.
The call went out from Nick Fury (Samuel L. Jackson) via an old two way pager in Avengers: Infinity War during the end credits of the film. We saw the iconic symbol for Captain Marvel, and this weekend in theaters we get our answer as to who she is and what her powers are, kinda. Set in the 90’s, Vers aka Carol Danvers aka Captain Marvel (Brie Larson) doesn’t remember much about her past but sees it in glimpses within her dreams. She’s being prepared for battle by her mentor Yon-Rogg (Jude Law) of the Kree race. Their enemy are shape-shifters called Skrulls. After an interaction with the Skrulls ends with her landing on planet C-53 aka Earth, Vers must hunt for the Skrulls who landed with her while trying to make sense of her past. Her crash into the local Blockbuster brings a young Nick Fury to the site, and thus begins a buddy comedy as only Marvel can do.
The issue with Captain Marvel is that the first two acts of the film are a small, intimate tale that viewers would have ate up in 2011. The magnitude of what’s going on in the 2019 MCU is so big, that Carol Danvers backstory seems so insignificant in the scheme of it all. I realize it’s not, but the convention of storytelling used by writer/directors Anna Boden and Ryan Fleck is all over the place for the first two thirds of the film. It starts out as a mystery, Hangover-esque tale and then becomes a buddy comedy and is heavy handed in making sure its main character knows that she needs to stay in line. It’s also missing an internal clock (a device in film in which the characters are moving to a deadline) to help us move toward the end of the film. So the search for Skrulls doesn’t have any real weight to it other than what the characters tell us.
Once you get to the final act of the film, things take off! Suddenly, we have an engaging film that you feel more invested in. Don’t get me wrong, this film is packed with brilliant performances by Samuel L. Jackson, Brie Larson, and Ben Mendelsohn as Talos/Keller (in that order). The chemistry of the cast and the way they bounce dialogue off of each other is what excuses the first part of the film. Even smaller roles like Carol’s best friend, Maria (Lashana Lynch) and her role model, Mar-Vell (Annette Bening), are nice character performance additions. The final act also gives us something to run toward in regard to impending danger.
As the marketing for this film suggests, there is a strong message of female empowerment that’s great to see, especially for little girls who get to see a powerful female superhero on the big screen! The 90’s references and soundtrack for the film (while the songs are a bit on the nose coupled with each scene) is a nostalgia fest for those of us who lived through them! The one other problem I had is that the film gives us an understanding of how Captain Marvel obtained her powers, but does not tell the extent nor give an actual clear description of them for us to understand what they are and why the internets are saying she’s so powerful. So be sure to sit next to a fanboy/girl who can explain it to you if you don’t know the history like me.
Overall, the film is another decent entry to the MCU, but it just doesn’t have the same bite and excitement in storytelling that the films released in Phase 3 has had. It will be great to see her in the MCU going forward and she is a welcomed addition. Look, speed bumps are necessary, keep us safe and you have to go over them in order to get to your destination. This is a safe entry installment into the broader franchise and I wish it was more! As always, be sure to stick round through the final credit sequences!
Rating: C+