"Men In Black: International" Review: Neuralyze Me Now Please!
If you’re banking on the chemistry of Tessa Thompson and Chris Hemsworth carrying the Men In Black franchise to new heights, think again. They may have been great together in Thor: Ragnorok, but Men In Black: International focuses more on spectacle than story. With foreshadowing bread crumbs more like muffins, the writing on the wall is easy to read for this movie and let’s hope it’s the same for the franchise’s demise.
Molly (Thompson) witnesses Men In Black agents visit her home as a child. While her parents’ memory was erased, her’s was not. She has spent her life, since that night, trying to find the secret organization. When she finally does, she’s taken in as a probational agent. She’s shipped to London to join Agent H (Hemsworth) on the latest mission to save the planet as a compact weapon that can destroy an entire planet makes its way through various hands.
Rather than focusing on an original story and character development, writers Matt Holloway and Art Marcum focus more on familiar themes that made the franchise successful in the past. Production set pieces, aliens, and tech take the foreground over a plot and creating Agents M and H to be more than stereotypes. The fish out of water and the party boy get swallowed up inside the MIB world as forgettable people.
Director F. Gary Gray is one of the most underrated directors in Hollywood. While he has created notable films in the past, his presence in helming this film is absent. This feels like a studio driven film and a missed opportunity to have a talented director leave a mark.
This film reeks of not believing its audience is smart enough to keep up with its plot. Therefore, Men In Black International instantly becomes a forgettable entry in a franchise that has overstayed its welcome. If they could neuralyze me seeing this film, I’d take it now!
Rating: D
Why "Straight Outta Compton" is a Powerful Biopic (Review)
“Straight Outta Compton” is worthy to be mentioned in awards talk this year. Clocking in at 147 minutes, the bio-drama will keep you riveted in your seat without glancing at your watch. While the film takes certain liberties with history, there is no doubt that N.W.A took a stand, transformed music, and made an impact on a generation that can still be felt today.
From 1986-91 the group N.W.A made a mark in hip hop music that crossed boundaries and changed the landscape of American music, and some may argue the world. One of the earliest groups to popularize gangsta rap, N.W.A consisted of Ice Cube (O’shea Jackson Jr.), Dr. Dre (Corey Hawkins), Eazy-E (Jason Mitchell), DJ Yella (Neil Brown Jr.), and MC Ren (Aldis Hodge). Formed at a time when police brutality and harassment in black communities was turning up, the group’s message was forged out of that oppression and living in the tough Compton neighborhood, which gave them a spirit and drive to have their voices heard.
The film covers the group over a ten year period. It focuses mainly on Eazy-E, Ice Cube, and Dr. Dre’s journey during that time. As the three most notorious members of the group, we’re able to see their home lives and stage life, and how they all mixed together. Each of the three get just the right amount of time to shine, while pushing the story forward. Fans will definitely enjoy seeing other famous performers like Snoop Dogg (Keith Stanfield) and Tupac (Marcc Rose) portrayed and sprinkled in throughout the film.
The movie’s power is found on numerous levels. Writers Jonathan Herman and Andrea Berloff do a great job of harnessing the intrinsic drama of the rise and fall of N.W.A. They started out as teens with a dream, and accomplished it! Yet, with the success came egos and issues surrounding money which led to the group splitting up. Another issue that the film deals with is violence against the black community from police officers. Unfortunately, almost 25 years after Rodney King, young black men are still a target of not just police batons but unwarranted bullets on what feels like a monthly occurrence in the news. So the energy that stems from perhaps their largest record, “F**k the Police”, sadly still resonates today.
The film paints a picture of N.W.A as fighters for free speech and self expression. While they spoke explicitly about their environment and the movie covers the media, FBI, and certain groups of people trying to suppress their message, it excludes the misogyny in their music. This was a large part of the protest in real life, but is conveniently left out in the motion picture. So the group looks more like oppressed freedom fighters, which works for Hollywood but some may take issue to.
Regardless of slight alterations or omissions, director F. Gary Gray captures and paints a masterpiece in this biopic. His camera frames the glamour of the come up, their wild lifestyle during the height of their success, and the ugliness of oppression. The pacing of the film is warranted even under the lengthy running time. The performances of these young actors are excellent. Entertaining, funny, and solemn at times, “Straight Outta Compton” is the perfect combination and a must see!
Rating: A