"Diabolic" Review

A faith based horror film needs a dreary atmosphere, emotional tension, demonic spirits and a character-driven descent into fear. You get them all in Diabolic. At its core, Diabolic is a brooding psychological thriller that explores the horrors of religious extremism, and the long-term scars it leaves. 

The film follows Elise (Elizabeth Cullen) confronting a past she believed was behind her after being excommunicated from a Fundamentalist Church of Jesus Christ of Latter Day Saints (FLDS) compound. While in therapy, she’s advised to revisit the place that is the source of her emotional breakdowns and fractured memories. With her boyfriend, Adam (John Kim) and friend Gwen (Mia Challis) going for the ride, what could possibly go wrong? 

Visually, the filming is stunning. Director Daniel J. Phillips and his team of cinematographers build a world with desaturated colors and stifling darkness, where even the empty space feels suffocating rather than freeing. The framing constantly focuses on isolation, fortifying Elise’s internal downfall. This intentional approach enhances familiar genre beats, giving the film a recognizable identity in the indie cult horror genre.

The film is grounded by a commanding lead performance that communicates intense vulnerability and exceptional reserve. Elizabeth Cullen carries the emotional weight, securing its supernatural components in a sense of visible human reality. Diabolic tends to be at its strongest during the quieter moments with its hesitations and controlled emotions. Although the script tends to highlight themes over character development, the supporting cast, Kim and Challis, are extremely effective and serve the story well.

Where the film tends to fall short is its dialogue and pacing. A lot of the dialogue is like watching the movie with an audio description track on. The story is told word for word when you can see it playing out in front of you. The result is less immersion into the world being built and more time to make a sandwich with the volume up if you were watching at home. You won’t miss anything here. Throughout the film, certain pieces of dialogue diminish the tension being built by articulating concepts that would have been more powerful through visual storytelling and allowing the audience to understand the implications. 

Even with the film's imperfections, Diabolic remains an intriguing horror film. The meticulous attention to the performances, thematic profundity, and the tonal atmosphere secures a lasting impact to indie filmmakers. Phillips demonstrates confident stylistic authority and clear ambition, favoring continued psychological tension over easy scares, a restraint that ultimately gives the film a true haunting resonance.

Rating: C

Vincent Hazan

Vincent Hazan is a screenwriter and film critic who believes movies are meant to be felt, questioned, and argued about long after the credits roll. He approaches films from both sides of the camera, breaking down story, character, and theme with the eye of a writer and the curiosity of a lifelong fan.

Vincent also hosts a movie YouTube channel where he dives into film analysis, industry conversations, and the occasional passionate rant. When he’s not writing or recording, he’s probably rewatching Star Wars, debating superhero adaptations, or defending comic-accurate costumes like it’s a personality trait.

Whether he’s critiquing blockbusters or smaller films, the goal is always the same, to engage with cinema honestly, thoughtfully, and with a love for the medium.

https://www.youtube.com/@HondosHoloNet
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